
Cho to perform at Bonnaroo 2010 alongside Conan O’Brien and Aziz Ansari on June 10 & 11, before heading out on a national US tour August 26. Also, season 2 of Cho’s hit Lifetime tv show Drop Dead Diva was just debut on June 6.
“I want to create a new genre of music that is hilarious but also seriously good, so I turned to some of my music heroes to help me out,” says Margaret Cho in reference to her forthcoming album Cho-Dependent. “I have wanted to make an album like this forever. I love comedy music!”
The lyrics on Cho Dependent, which tackle issues of sex, drugs, rock & roll – and lice, may be laugh-inducing, but Cho has made no compromises when it comes to the quality of the songwriting and production. After “My Puss,” a hilarious rap parody Cho recorded impromptu-style with friends, became a surprise YouTube hit, Cho began to integrate more comedy music into her live stand-up shows. With Cho Dependent, her first comedy music album, Cho got a chance to hone her craft with some of the top names in the business.
“Over the years of being an intense music geek I got to meet a lot of my heroes and I tricked them all into writing songs with me,” explains Cho. “Most comics want to be rock stars, and most rock stars want to be comics, so it was an easy exchange.”
“There are so many amazing people I got to work with on this album,” Cho continues, “Jon Brion, Fiona Apple, Tegan and Sara, Andrew Bird, Ani DiFranco, Garrison Starr, Meghan Toohey, Brendan Benson, Rachael Yamagata, Carl Newman, Grant Lee Phillips, Patty Griffin, Ben Lee, Kevin Barnes — I still have to pinch myself!”
Conversely, the many collaborators on Cho Dependent seem to be equally excited about working with Cho. In a blog published on The Huffington Post, Australian indie-pop artist Ben Lee, said that working with her was “one of the most surprising and unexpected turns” in his career.
“When I heard Margaret was making her own music last year, I reached out to her and said I’d love to be involved,” reveals Lee, who co-wrote and produced several songs on the album. “The process of working with Margaret has been a complete revelation and joy for me. She started learning guitar at age 40 after seeing Madonna play guitar and thinking, ‘If that bitch can do it, it can’t be that hard.’ It’s this punk-rock enthusiasm that has informed every step of the writing and recording process.”
Canadian folk-rock duo Tegan and Sara, also blogged about their experiences recording with the taboo-busting funnywoman, whom they called “outrageously talented and funny.” Their Cho Dependent track, “Intervention,” was recorded over two days in Vancouver with producer Howard Redekopp, who’d just finished co-producing the girl’s sixth studio album, Sainthood.
“Imagine 10 hours of laughing, singing, eating, laughing, talking, eating and laughing and you might have a bit of a clearer picture of what our two days and nights were like,” writes T&S’s Tegan Quin. “The song itself turned out amazing. Margaret has a great voice and was so easy to work with. Definitely a budding musician!”
Ultimately Cho hopes to raise the bar for the genre as a whole – and get a little recognition for her contribution to the cause. Her motivations for this latter goal however are naturally as subversive as her humor. “I want to be in the Rock and Roll Hall of Fame and on Elvis Costello’s Spectacle so I can talk all serious about my songwriting ‘process’ — which is basically trying to figure out what rhymes with ‘dick.’”